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Trevor Noah and Lilly Singh Compare Notes on Politics and Comedy in Late-Night TV

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6 minutes, 36 seconds

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en

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mu name is singh

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singh

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Authentically ✓ Singh ✓ People

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  • Here, they get to compare notes as Variety brought them together for a conversation about how to produce a late-night show during a pandemic and balance comedy with commentary on tough issues that face the nation these days.
  • It probably wasn’t the happiest term of my life, and I guess the only reason I appreciate it is because my mom always says, “You don’t get powerful unless you struggle.” familiar on category Lilly Singh: To apprehend you had a hard time honestly, selfishly, makes me feel a little better.
  • People are allowed to live in completely different realities, and what that creates is uncertainty that I think it’s already uncomfortable for human beings, because you don’t get to establish what your base level really is.

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Lilly Singh and Trevor Noah have been studying each other. Noah speaks he has been looking at some of Singh’s YouTube videos as he’s been hosting Comedy Central’s “Daily Show” from home, and “A tiny Late’s” Singh keeps tabs on how Noah handles talk about politics and national affairs. Here, they get to compare notes as Variety brought them together for a conversation about how to produce a late-night show during a pandemic and balance comedy with commentary on tough issues that face the nation these days. Lilly, you just stopped your first age on your show, and Trevor, not too long ago, you were the freshman late-night host. What was it like for both of you to be under so much new scrutiny? Trevor Noah: So my first term was horrible. I urge say the first two time were terrible — and it was horrible because I had taken over one of America’s most beloved institutions. And even though Jon Stewart had proceeded over the reins to me, it was essentially a year of people telling me I shouldn’t be doing the job and I was unjust of being in that seat. And I maintained to believe that. You way into this recent role and you’re doing a latest job and most of the first year was just trying to stay afloat, just trying not to get canceled and trying to find my footing. And the analogy I use is seeking to learn how to fly a plane while the plane is flying. That’s what it felt like every single day. What I’ve come to realize in hindsight is I was up against so countless adversity that I never thought of before. I was taking over a show and was a different person, which is hard enough. Any reveal that shift hosts is going to struggle. A recent host is going to rattle people. Then you have spare factors: You stand from another country. You strong various and one of the biggest bread that I took for granted was you look different. A place of people had been utilizt to getting their late-night news from a face that looks a necessary way. I see now that must have been jarring for viewers — to go from having the face that you know to having someone like, “What are you doing on my screen ? ” Sometimes, it’s not even something that folks are consciously thinking of [but they’re] not used to having a person like you. So, yeah, the first term was just me desperately seeking not to drown. It probably wasn’t the happiest term of my life, and I guess the only reason I appreciate it is because my mom always says, “You don’t get powerful unless you struggle.” familiar on category Lilly Singh: To apprehend you had a hard time honestly, selfishly, makes me feel a little better. It’s really hard and the analogy of trying to figure out how to fly a plane is absolutely correct. Before I moved my first year, in a preliminary interview, you told me, “Don’t let anyone tell you it’s not going to consume your life, because it’s going to consume your life. ” And you were the only foreigner audacious plenty to say it to me like that. I had anticipated obstacles: Yeah, it fing be a place of work, maybe there will be some scrutiny — but there were so countless obstacles I never even thought about, because I just didn’t have the knowledge to know they would be obstacles. Just admiring various and being several has been challenging. You’re talking about your husk color too much. You’re talking about your sexuality too much. And it’s really trying to navigate how to be authentically you when folks are not used to authentically you. It really is super challenging. For decades, late-night hosts were largely shave from the equal cloth, namely white men. In current years, that has moved to change. How do you see representation evolving over time? Noah: I don’t get annoyed that it’s only been white men. I also guess about how American nation was shaped, what people perceived a comedian to be, who society discerned a comedian to be. As populace change, you’ll start to see diversity and as networks become senior open, their audiences will adjust over time. As populace change, you’ll start to see diversity and as networks become senior open, their audiences will adjust over time. There fing be a domino effectiveness that just keeps on going. I don’t want to live in a world where there are no white late-night hosts — I’m not looking for erasure — I’m looking for a world where there are more late-night hosts. Singh: I check only say that not every tale has to be about everyone, but there should be stories for everyone. I guess it’s not, “Let’s get rid of all the white late-night hosts, and let’s get rid of all the shows,” but “ Let’s have exhibit that portray other people.” If I had this great story about this Indian girl in high school, I don’t want to hear, “Oh, but we already have Mindy Kaling’s ‘Never Have I Ever,’ so we can’t do this.” I think that part of the problem is that just because there’s a show about someone who’s brown on Netflix, it doesn’t mean that there can’t be another story. Lilly Singh (right, with Malala Yousafzai) introduced “A small Late” in September 2019. service of NBC The coronavirus pandemic has turned all of late night; Lilly, you tied countless of your circumstance before things spread, and Trevor, you are doing all your shows from your apartment. What do you think audiences want to see from late night? Noah: I guess citizens are lower concerned by what they see on TV and more concerned by the world they are living in. I always guess that amusement is oftentimes a welcome release from the world that is real, but when the world that is, really is almost too tangible and happening all the time, then people and audiences are in a very different space. For me, it’s different, because I’ve said from the beginning, the one suit I’ve said about working on ‘The Daily Show,’ and I was happy plenty to join when Jon was still working, I grew up in a very political country. I rose up as a very civil comedian, even though I don’t consider myself that. If you see my recent stand up, I’m talking about American politics, I’m talking about South African politics. That’s just been me , So that’s what ‘The Daily Show’ does. I haven’t been so stressed in phrase of thinking about content during this moment, because I live in the world of the news. I strive to provide context ; I strive to distill it. If I believe folks are looking for anything from my show, they are looking for a clarification — what everything means. That’s what society want because that’s what I want. We are residing in a planet where nobody agrees on a fact. People are allowed to live in completely different realities, and what that creates is uncertainty that I think it’s already uncomfortable for human beings, because you don’t get to establish what your base level really is. Singh: parody is such a cheerful vehicle to talk about things that are difficult to talk about. People settle down their defense mechanisms a tiny bit more. Right now is such a challenging, tough and unique time. Usually, when folks need to escape from their day they want to dive into comedy. I just guess the longing to escape is not there anymore.
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Trevor Noah and Lilly Singh Compare Notes on Politics and Comedy in Late-Night TV
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