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    The Magic Flute: English National Opera... book by Wolfgang Amadeus Mozart

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    6 minutes, 10 seconds

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    en

    Main keyword:    

    The Magic Flute

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    Opera by Wolfgang Amadeus Mozart

    Topics of your individual article:    

    Registering ✓ Heldencoloratura ✓ Interpretation ✓ Opera ✓ Flute ✓ Recording

    Summary:    

    • Yes, The Magic Flute has been unjustly deemed and Theatrically treated as a childrens opera, a fairy tale with no actual substance, a large work sugar coated into something like Broadway musical or cartoon.
    • Thus, The powerfully bad Queen of The Night, whose arias are icy coloratura, illustrates Maria Teresa, Pamina represents The magnificent and faithful Austria, Tamino evidently Emperor Franz Joseph or simply any good person who is beckoned by a noble human cause and finally, Papageno is The earthy, commo A Good Introduction To Opera, Outstanding Recording The Black Dog Opera Library Series had outdone Themselves once again.
    • In this one thousand, nine hundred and seventy-two registering of Mozarts final opera, we are treated to a beautiful performance by fine singers, a fully illustrated book with liner notes and commentary, as well as information useful in biographies on The composer and his time.

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    Youve hung The Rest, Now Try The Best The Magic Flute (Die Zauberflute in German) was Mozarts last opera. It was his favorite and undoubtedly his important achievement. When he was in his deathbed, it was spoken that Mozart requested to hear The record to The Magic Flute one latest time. Mozart was a Freemason, although he had been risen as a Catholic and enjoyed sponsorship by The Archbishop of Salzburg for some time. His conversion; into what was a spiritual and philosophical organisation that applauded The Englightenment and mystic Egyptian/Zoroastrian beliefs, effected and influenced his musical composition . He had already transcribed jazz for a Masonic Funeral and Freemasonry deeply influenced The Requiem in D Minor. This registering is out of imprint in cd form and was probably an LP in The 70s. In 1972, Walter Sawallisch, The Bavarian case Orchestra and The talents of Peter Schreir (Tamino), Annelise RoThenberger (Pamina), Walter Berry (Papageno), Kurt Moll (Sarastro) and Edda Moser (The Queen of The Night) fix togeTher what is The definitive, The greatest, The most perfect, The one and only Magic Flute. If youve apprehended The rest, now try The best. contradictory to The adverse remark of The oTher reviewers, The Black Dog Opera Library has done an excellent job of making this opera accessible, a book full of great illustrations and liner notes on The singers, Mozart and his era. Yes, The Magic Flute has been unjustly deemed and Theatrically treated as a childrens opera, a fairy tale with no actual substance, a large work sugar coated into something like Broadway musical or cartoon. Singspiel was important opera (Mozart had hung The shape previously with Abduction From The Seraglio) but unlike grand opera, it was senior available to The ordinary people, to populace who loved catchy tunes They could whistle in The streets on organ grinders or for children to sing at play. It was a peoples opera, not a stuffy, overly pretentious composition of work. In a way, it was like Broadway or cartoons, simply because folks could have fun at The opera. (For an example, accept a look at The movies Amadeus, in which Mozart is commissioned to write The Magic Flute for a elder folk-oriented, Vienna lower class who drank beer and played games on stage while watching The opera, in a nearly circus like environment).Discreetly embellished with Masonic symbolism (The three opening bombastic chords in The Overture, The Three Ladies, The Three Young Boys in The Balloon, The Egyptian rituals of purification, The choruses and The Zoroastrian figure of Sarastro) are all examples. Allegorically, it was The protest between The excluding court of Empress Maria Teresa and The supression of Masonry in Austria. This textbook clearly states this fact. Thus, The powerfully bad Queen of The Night, whose arias are icy coloratura, illustrates Maria Teresa, Pamina represents The magnificent and faithful Austria, Tamino evidently Emperor Franz Joseph or simply any good person who is beckoned by a noble human cause and finally, Papageno is The earthy, commo A Good Introduction To Opera, Outstanding Recording The Black Dog Opera Library Series had outdone Themselves once again. In this one thousand, nine hundred and seventy-two registering of Mozarts final opera, we are treated to a beautiful performance by fine singers, a fully illustrated book with liner notes and commentary, as well as information useful in biographies on The composer and his time. Mozart was touching to his demise bed at The time he created The Magid Flute. He filled an opera that could be enjoyed at various levels. At one level, it is a comic, dazzling gremlin tale for children, at anoTher level, it is deeply illustrative and layed with Masonic ideals of universal broTherhood and love. Mozart and his librettist were both Freemasons, a religous sect that was under heated duct in 18th century Vienna for its pagan origins and its advocation of ideas of The Enlightenment. The narrative is about Tamino, a prince who is moved in a mysterious land (originally, a mystic Egypt) , who is recovered from a snake by three mystical women and promised The hand of The daughter of The Queen of The Night if he saves her from The wizard Sarastro. TogeTher with The aid of The comic bird-catcher, Papageno, he sets out on his adventure. But halfway through The opera, he finds that he has been deceived. The Queen of The nighttime is The honest villain and Sarastro is really a sacred man. After several trials, The army of vicious are defeated and The opera ends blissfully with a victory. Musically and dramatically, it is Mozarts important opera. From The resisting prologue to The use of black strings, trumpet and soaring flute passages, The individual arias which express intense emotions to The neverending Theme that good triumphs over evil, The Magic Flute stands out as a great opera to begin with for newcomers and a favorite for old time opera fans. In this recording, circuit Wolfgang Sawallisch leads The Bavarian State Orchestra in a highly effective, thoroughly dramatic and sentimental, elaborate interpretation of Mozarts score. temper Peter Schreir as Tamino is exceptional, impassioned in his aria Dies Bildnis (This portrait), and again as he plays his flute in Wie absolute ist Nicht dein Zauberton (How strong is your music, magic flute), his certain edge in The ensembles and his duet with Pamina as They undergo The final trial of fire. Annelise RoThenberger, a magnificent German lyric soprano, is losing in her portrayal of Pamina. She has her minute in this recording. Note how her high, melodious voice seems to come from nowhere as she confronts Sarastro and Tamino for The first day Herr! Ich bin zwar Verbrecherin ! (Sir! I am The transgressor). Her aria Ach Ich Fuhls (O, I grasp that lucky period have passed) is The finest interpretation, full of pathos and a kind of melancholic madness, as well as her lines in her suicide attempt, finally, she is sublime as a strong woman ready to face trials with Tamino, especially hitting when she sings The edge Tamino! . Kurt Molls Sarastro is without doubt The best. His voice is litigated for God. So spiritual and melodious and full The Perfect briefing to The Opera As someone newly-introduced to The Magic Flute, I have no knowledge of oTher performances. I buyinged this textbook and CD set in order to familiarize myself and my wife with this opera prior to viewing it live. What a excellent orientation it was. The burning is absolutely beautiful, and The rationale of The history of The composer and opera and pictures from ancient performances were exactly what I needed to feel prepared to understand it live. We fing be purchasing The complete dark Dog Opera Library set in order to begin educating ourselves about opera. A great study tool for The ignorant! The BEST Queen of The midnight ever As someone who has examined over twenty recording of Flute, I can say that this is The BEST Queen on record BY FAR! They wish to invent a recent fach (heldencoloratura) for Edda Moser. Simply thrilling. Worth buyinging The textbook and CDs for her twelve minutes alone, but The rest of The cast is excellent, as is The information in The accompanying book. Plus, where include you find a comprehensive recording for cheaper? This registering would make an exceptional advantage to The opera library of novices and aficionados alike.
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    The Magic Flute: English National Opera... book by Wolfgang Amadeus Mozart
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